Ismet is a recently retired Turkish soldier whose last post was as a Commander of the Coast Guard at the Turkish maritime border. New to civilian life, he struggles to communicate with his family and the people around him. His only son abandoned him and left for the U.S., and now his wife wants to join her son, too. In an unexpected turn of events, he suddenly becomes neighbors with two refugees, Omar and Mariye. Through this encounter and firsthand experience of what refugees have to go through
After finding a human corpse in his fishing net, Bisnu embarks on a journey to find the roots of the unknown dead man. The journey gradually becomes an allegory; a reflection of the state of affairs as seen by a man of limited information and exposure. The identity of the boy also eventually takes mythical proportions, where it seems that he was omnipresent in every village suffering the same tragic end over and over again.
Kosa is a young boy who lives with his family in the forest heartlands of India. One day, he is picked up by the police. The charge? Kosa’s name is similar to that of a Maoist commander. Will the farcical trial that follows prove his innocence or confirm he’s a criminal?
"The Bridge" is a colorful canvas of an unusual struggle and empowerment of a teenage girl residing at the bank of a tributary of the river Brahmaputra. Without a small bridge over its tributary how troublesome and hard their lives become only they can feel & understand.
Based on true-life stories, Bridge is an eye-opener of a film for a system that turns away from the uncomfortable truth and reality
Vincent, a 10 year old boy steals a GoPro Camera kept for surveillance in a local provision store aspiring
to make a cinema. Along with his friends Rosy & Kishore, Vincent begins shooting. But soon Rosy gets
into an argument with the boys as they mock her looks. She leaves the shoot midway leaving Vincent’s
plans astray. A sense of guilt takes over Vincent and he decides to return or abandon the camera.
India is a land of Subaltern deities. Each deity has an unique legend and these legends are often interwoven with socio-historic tropes of India.
Puthirai vannaar is an 'unseeable' Dalit caste group, in southern India.Their forced-occupation is to wash clothes of other Dalits, the dead and the menstruating women. This film is a tale about a young girl who grew up in Puthirai vannaar caste group and how she came to be immortalised as their local deity, Maadathy.