The Bois de Vincennes. The ruins of a colonial exposition building where strange voices and old images slumber that no one wants to revive. Yet Moussa has only one obsession: to keep close to him his friend whose lifeless body has returned to Senegal.
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Won’t Be Around
Won't Be Around is the official music video for the song written and performed by singer- songwriter Terry Blade. At its core, the song is about meaning the words we say, and acting on the words we use. It is not enough to just tell someone we won't be around for them if they treat us poorly. We have to be
completely and totally absent. The song and video draw from the rural early American roots music of first half 20th century–lifeblood America's musical cultural heritage.
Decoupling脱钩
A "Chinese" father reflects on the changing relationship of China and US during his trip to Beijing to retrieve his 3-year-old "American" daughter who has been stranded because of the recent “decoupling” of the two countries. Born in China and living in the American Midwest, filmmaker Yinan Wang attempts to unpack his own experience of how a transnational migrant family deals with the distress caused by identity, nationalism, and geopolitics.
The Stream XIII
In "The Stream XIII", the 13th in the series, I focused on how the landscape is transformed when the wind as a weather phenomenon streams through the fields and reed fields cultivated by humans.
I used the wind chime to perceive the invisible presence of wind as sound. And also we can perceive the invisible presence of wind as visualized wind ripples in the fields.
Mine Mine Mine
A bedbound man reflects on his childhood adventures as Peter Pan, and how sometimes everyone grows up without you.
Two One Two
Award-winning animation filmmaker Shira Avni continues her deeply personal animated documentary journey to explore motherhood, fragmentation, neurodiversity, trauma, and healing through the infinitely laborious, handcrafted frame-by-frame filmmaking process. Two-One-Two mixes archival video, sound recordings, experimental, shimmering clay on glass, under-camera, and rotoscoping animation in this intimate, experimental animated documentary love letter to motherhood, parenting on the spectrum, and and two headed monsters everywhere.